
| Dorothea Lange | |
Dorothea Lange in 1936; photographer: |
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| Born | May 25, 1895(1895-05-25) Hoboken, New Jersey |
| Died | October 11, 1965 (aged 70) San Francisco, California |
| Nationality | American |
| Field | Photography |
Dorothea Lange (May 25, 1895 – October 11, 1965) was an influential American documentary photographer and photojournalist, best known for her Depression-era work for the Farm Security Administration (FSA). Lange's photographs humanized the tragic consequences of the Great Depression and profoundly influenced the development of documentary photography.
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Born Dorothea Nutzhorn in Hoboken, New Jersey on May 25, 1895, she was the daughter of Joan Lange and Henry Nutzhorn.[1][2] Dorothea developed polio in 1902, at age 7. Like many other polio victims before treatment was available, she emerged with a weakened and wizened right leg, and a permanent limp.[2] When she was 12 years old, her father abandoned her and her mother, leading her to drop her middle and last names in lieu of her mother's maiden name.[1][2]
Lange was educated in photography in New York City, in a class taught by Clarence H. White. She was informally apprenticed to several New York photography studios, including that of the famed Arnold Genthe. In 1918, she moved to San Francisco, and by the following year she had opened a successful portrait studio.[3][2] She lived across the bay in Berkeley for the rest of her life. In 1920, she married the noted western painter Maynard Dixon, with whom she had two sons.[4]
With the onset of the Great Depression, Lange turned her camera lens from the studio to the street. Her studies of unemployed and homeless people captured the attention of local photographers and led to her employment with the federal Resettlement Administration (RA), later called the Farm Security Administration (FSA).
In December 1935, she divorced Dixon and married agricultural economist Paul Schuster Taylor, Professor of Economics at the University of California, Berkeley.[4] Taylor educated Lange in social and political matters, and together they documented rural poverty and the exploitation of sharecroppers and migrant laborers for the next five years — Taylor interviewing and gathering economic data, Lange taking photos.
From 1935 to 1939, Lange's work for the RA and FSA brought the plight of the poor and forgotten — particularly sharecroppers, displaced farm families, and migrant workers — to public attention. Distributed free to newspapers across the country, her poignant images became icons of the era.
Lange's best-known picture is titled "Migrant Mother". The woman in the photo is Florence Owens Thompson, but Lange apparently never knew her name. The original photo had Florence's thumb and index finger on the tent pole, and was retouched in an attempt to hide Florence's thumb. Her index finger was left untouched (lower right in photo).
In 1960, Lange spoke about her experience taking the photograph:
According to Thompson's son, Lange got some details of this story wrong, but the impact of the picture was based on the image showing the strength and need of migrant workers.[5]
In 1941, Lange was awarded a Guggenheim Fellowship for excellence in photography. After the attack on Pearl Harbor, she gave up the prestigious award to record the forced evacuation of Japanese-Americans (Nisei) to relocation camps in the American West, on assignment for the War Relocation Authority (WRA). She covered the rounding up of Japanese Americans, their evacuation into temporary assembly centers, and Manzanar, the first of the permanent internment camps. To many observers, her photograph of Japanese-American children pledging allegiance to the flag shortly before they were sent to internment camps is a haunting reminder of this policy of detaining people without charging them with any crime or affording them any appeal.
Her images were so obviously critical that the Army impounded them. Today her photographs of the internment are available in the National Archives on the website of the Still Photographs Division, and at the Bancroft Library of the University of California, Berkeley.
In 1945, Lange was invited by Ansel Adams to accept a position as faculty at the first fine art photography department at the California School of Fine Arts (CSFA). Imogen Cunningham and Minor White joined as well.[6]
In 1952, Lange co-founded the photographic magazine Aperture. In the last two decades of her life, Lange's health was poor. She suffered from gastric problems, including bleeding ulcers, as well as post-polio syndrome — although this renewal of the pain and weakness of polio was not yet recognized by most physicians.
Lange died of esophageal cancer on October 11, 1965, aged 70.[4][7] She was survived by her second husband, Paul Taylor, two children, three stepchildren, and numerous grandchildren and great-grandchildren.
In 1972 the Whitney Museum used 27 of Lange's photographs in an exhibit entitled Executive Order 9066. This exhibit highlighted the Japanese Internment during World War 2.
California Governor Arnold Schwarzenegger and First Lady Maria Shriver announced on May 28, 2008 that Lange will be inducted into the California Hall of Fame, located at The California Museum for History, Women and the Arts. The induction ceremony will take place December 15th and her son will accept the honor in her place.
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