
| Elizabeth | |
|---|---|
Original Film Poster |
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| Directed by | Shekhar Kapur |
| Produced by | Tim Bevan, Eric Fellner, Alison Owen |
| Written by | Michael Hirst |
| Starring | Cate Blanchett Geoffrey Rush Christopher Eccleston Joseph Fiennes Richard Attenborough Kathy Burke Daniel Craig Vincent Cassel John Gielgud |
| Music by | David Hirschfelder |
| Cinematography | Remi Adefarasin |
| Editing by | Jill Bilcock |
| Distributed by | Polygram Gramercy Pictures |
| Release date(s) | 6 November 1998 |
| Running time | 124 min. |
| Country | |
| Language | English French Latin |
| Budget | $25,000,000 (estimated) |
| Gross revenue | $82,150,642 (worldwide) |
| Followed by | Elizabeth: The Golden Age (2007) |
Elizabeth is a 1998 film loosely based on the early reign of Queen Elizabeth I of England. The film was written by Michael Hirst and directed by Shekhar Kapur. It stars Cate Blanchett, Geoffrey Rush, Joseph Fiennes, Christopher Eccleston, and Richard Attenborough. It was the final film of acclaimed British actor Sir John Gielgud. It also stars a 12-year-old Lily Allen as a lady in waiting, Manchester United legend Eric Cantona as the French ambassador, future Doctor Who Christopher Eccleston as the Duke of Norfolk, and Daniel Craig, who would later portray James Bond, as a member of the Vatican who is heavily involved in the film's central plot.
A sequel, Elizabeth: The Golden Age was released by Universal Studios on October 12, 2007.
Contents |
In 1558, the Roman Catholic Mary I of England dies of a cancerous tumor in her uterus, leaving her Protestant half sister Elizabeth as Queen. Elizabeth had previously been jailed for a supposed conspiracy to murder Mary, but has now been freed for her coronation. The film shows Elizabeth being courted by suitors (including Henri, Duc d'Anjou, the future King Henry III of France, whom she rejects) and urged by William Cecil, 1st Baron Burghley to marry, which, as he states, would secure her throne. Instead, she has a secret affair with her childhood sweetheart, Robert Dudley, Earl of Leicester. The affair is, however, no secret from Cecil - who makes clear that a Monarch has no private life (having an affair with a queen confers considerable power on the lover - all the more as it might result in pregnancy).
Elizabeth deals with various threats to her reign, including The Duke of Norfolk, a Catholic in her court who conspires to have her murdered, and the effective ruler of Scotland, Mary of Guise, who allies with France to attack England's forces. At the end of the film, Norfolk is executed for his conspiracy and Mary is assassinated by Elizabeth's advisor, Francis Walsingham.
Elizabeth permanently banishes Dudley from her private presence when she finds out that he is married; as depicted in the sequel, Elizabeth then gives up ever having sex again, feeling that such relations could give a man too much power over her. Moreover, cutting off her relations with Dudley is part of the process by which she becomes increasingly tough and assertive - in one scene she carefully prepares and rehearses the speech she would deliver to a recalcitrant Parliament and force through her religious reforms.
She also becomes capable of occasional ruthless behaviour - as in unflinchingly ordering the execution of people which she considers dangerous to her rule, as well taking up as her right-hand man the Machiavellian Walshingham, who thinks nothing of torturing people or killing with his own hands.
All this is a considerable change from the warm-hearted, rather romantic girl which Elizabeth was in the early parts of the film; remaining such would have been incompatible with being a Queen who actually ruled and dominated the men around her, and her transformation is a major theme of the film.
The film ends with Elizabeth assuming the persona of 'The Virgin Queen', and initiating England's Golden Age.
The film takes many liberties with history. Among them:
The Catholic League for Religious and Civil Rights accused the film of anti-Catholicism, stating that the film gives "impression that the religious strife was all the doing of the Catholic Church", noting that the New York Times review considered it "resolutely anti-Catholic" complete with a "scheming pope" and repeating the charge made in the Buffalo News that "[e]very single Catholic in the film is dark, cruel and devious".[1]
At the 71st Academy Awards, Jenny Shircore won the Oscar for Best Makeup. The film also received six other Oscar nominations: Best Picture, Cate Blanchett for Best Actress in a Leading Role, John Myhre and Peter Howitt for Best Art/Set Direction, Remi Adefarasin for Best Cinematography, Alexandra Byrne for Best Costume Design, and David Hirschfelder for Best Music (Original Dramatic Score).[2]
At the 52nd BAFTA Film Awards, the film won five awards. It won the Alexander Korda Award for Best British Film, Cate Blanchett won Best Performance by an Actress in a Leading Role, Remi Adefarasin won Best Cinematography, Jenny Shircore won Best Makeup & Hair, and David Hirschfelder won the Anthony Asquith Award for Film Music. It was also nominated for several other awards: Best Film, Shekhar Kapur for Best Direction, Michael Hirst for Best Original Screenplay, Alexandra Byrne for Best Costume Design, Jill Bilcock for Best Editing, and John Myhre for Best Production Design.[3]
Cate Blanchett won Best Performance by an Actress in a Motion Picture Drama at the 56th Golden Globe Awards held in 1999. The film was also nominated for Best Motion Picture (Drama), and Shekhar Kapur was nominated for Best Director.[2]
At the 1998 Screen Actors Guild Awards, Cate Blanchett was nominated for Outstanding Performance by a Female Actor in a Leading Role.[2]
Elizabeth premiered in September 1998 at the Venice Film Festival and was also shown at the Toronto International Film Festival.[4] It premiered in London on October 2, 1998 and it premiered in the United States on October 13, 1998.[4] It opened in the United Kingdom on October 23, 1998[4] and opened in limited release in the United States in 9 theaters on November 6, 1998, grossing $275,131.[5] Its widest release in the United States and Canada was in 624 theaters[5], and its largest weekend gross throughout its run in theaters in the U.S. and Canada was $3.9 million in 516 theaters[5], ranking #9 at the box office.[6] Elizabeth went on to gross $30 million in the United States and Canada, and a total of $82.1 million worldwide.[7]
Elizabeth was filmed in exactly 45 days.[citation needed]
| Preceded by Nil by Mouth |
Alexanda Korda Award for Best British Film 1998 |
Succeeded by East is East |
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