Harold Prince


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Harold Prince
Born Harold Smith Prince
January 30, 1928 (1928-01-30) (age 80)
New York City, New York, USA
Other name(s) Hal Prince
Years active 1940s-present
Spouse(s) Judith Chaplin (1962-present)

Harold Smith Prince(born 30 January 1928) is an American theatrical producer and director associated with many of the best-known Broadway musical productions of the past half-century. He has garnered twenty-one Tony Awards, more than any other individual, including eight for directing, eight for producing, two as producer of the year's Best Musical, and three special awards. His shows are known for their political context, new approach to romance, and characters who sing and dance with thematic import.

Contents

Biography

Early years

Prince was born in New York City to Milton A. Prince, a stockbroker, and Blanche Stern.[1] He entered the University of Pennsylvania at sixteen, where he followed a liberal arts curriculum, and graduated at age nineteen, and later served two years in the US Army in Germany.[2]

Career

Prince began work in the theatre as an assistant stage manager to theatrical producer and director George Abbott. Along with Abbott, he co-produced The Pajama Game, which won the 1955 Tony Award for Best Musical. He went on to direct his own productions in 1962 beginning with A Family Affair and hit a series of unsuccessful productions. He almost gave up the musical theater right before he hit success with Cabaret in 1966. 1970 marked the start of his greatest collaboration, with composer/lyricist Stephen Sondheim. They had previously worked on West Side Story and at this point decided to embark on their own project. Their association spawned a long string of productions, including Company (1970), Follies (1971), A Little Night Music (1973), Pacific Overtures (1976), and Sweeney Todd (1979). After the disappointing Merrily We Roll Along (1981), they did not work together again until Bounce (2003), which proved to be another failure.

Prince also has directed operas, including Ashmedai, Willie Stark, Madame Butterfly, and a revival of Candide. In 1983 Prince staged Turandot for the Vienna State Opera (conductor: Lorin Maazel; with José Carreras, Eva Marton).

He directed two of Andrew Lloyd Webber's successes, Evita and The Phantom of the Opera. He was offered the job of directing Cats by Webber but turned it down.

Despite creating a number of hugely popular musicals in the late 1970s and 1980s such as The Phantom of the Opera, Sweeney Todd, and Evita, Harold Prince also had failures in this period. His first major artistic failure with Stephen Sondheim was in 1981 with Merrily We Roll Along. Determined to bounce back, Prince started working on a new musical A Doll's Life with lyricists Betty Comden and Adolph Green that would be continue the story of Nora Helmer past what Henrik Ibsen had written in A Doll's House. It was as badly received critically as Merrily, mainly because critics blamed him for either picking a bad idea for a musical or repeating himself. Other unpopular musicals of this time include Roza (musical) and Grind which both suffered creative and financial difficulties. Prince himself stopped producing and directing concurrently during this period because the process of financing a show had become so difficult.

Prince was the inspiration for John Lithgow's character in Bob Fosse's film All That Jazz. He was also the basis of a character in Richard Bissell's novel Say, Darling, which chronicled Bissell's own experience turning his novel 7 1/2 Cents into The Pajama Game. Say, Darling also became a musical, with Prince parodied onstage by actor Robert Morse.

He currently serves as president of the National Institute for Musical Theater. On May 20, 2007, he gave the commencement address at Gettysburg College in Gettysburg, Pennsylvania.

Prince is known as the great modern producer and director of the American Broadway Musical. Critics have recognized Prince's work as further developing the “concept musical,” in which the narrative of a show is not necessarily the primary authorial emphasis and instead the production centers on an idea or metaphor that is explored through scenes and songs that do not unfold in a traditional sequential narrative style.

In 2006, Prince was awarded a Special Tony Award for Lifetime Achievement in the Theatre. The Harold Prince Theatre at the Annenberg Center of the University of Pennsylvania is named in his honor.

In the Spring of 2008 Prince was the key note speaker at the Elon University's Commencement celebration in North Carolina

Personal life

Prince was married to Judy Chaplin, daughter of Saul Chaplin on 26 October 1962. They are parents of director Daisy Prince and conductor Charles Prince.[2]

Work

Stage productions

Filmography

Awards and nominations

Awards
  • 1955 Tony Award for Best Musical - The Pajama Game (producer)
  • 1956 Tony Award for Best Musical - Damn Yankees (producer)
  • 1960 Tony Award for Best Musical - Fiorello! (producer)
  • 1963 Tony Award for Best Musical - A Funny Thing Happened on the Way to the Forum (producer)
  • 1963 Tony Award for Best Producer of a Musical - A Funny Thing Happened on the Way to the Forum
  • 1965 Tony Award for Best Musical - Fiddler on the Roof (producer)
  • 1965 Tony Award for Best Producer of a Musical - Fiddler on the Roof
  • 1967 Tony Award for Best Direction of a Musical - Cabaret
  • 1967 Tony Award for Best Musical - Cabaret (producer)
  • 1970 Drama Desk Award Outstanding Director - Company
  • 1971 Drama Desk Award Outstanding Director - Follies
  • 1971 Tony Award for Best Direction of a Musical - Company
  • 1971 Tony Award for Best Musical - Company (producer)
  • 1972 Tony Award for Best Direction of a Musical - Follies
  • 1972 Tony Award Special Award - Fiddler on the Roof
  • 1973 Drama Desk Award Outstanding Director - A Little Night Music
  • 1973 Drama Desk Award Outstanding Director - The Great God Brown
  • 1973 Tony Award for Best Musical - A Little Night Music (producer)
  • 1974 Drama Desk Award Outstanding Director - Candide
  • 1974 Drama Desk Award Outstanding Director - The Visit
  • 1974 Tony Award for Best Direction of a Musical - Candide
  • 1974 Tony Award Special Award - Candide
  • 1979 Drama Desk Award Outstanding Director of a Musical - Sweeney Todd
  • 1979 Tony Award for Best Direction of a Musical - Sweeney Todd
  • 1980 Drama Desk Award Outstanding Director of a Musical - Evita
  • 1980 Tony Award for Best Direction of a Musical - Evita
  • 1988 Drama Desk Award Outstanding Director of a Musical - The Phantom of the Opera
  • 1988 Tony Award for Best Direction of a Musical - The Phantom of the Opera
  • 1995 Drama Desk Award Outstanding Director of a Musical - Show Boat
  • 1995 Tony Award for Best Direction of a Musical - Show Boat
  • 2006 Tony Award Special Tony Award for Lifetime Achievement
Nominations
  • 1958 Tony Award for Best Musical - New Girl in Town (producer)
  • 1958 Tony Award for Best Musical - West Side Story (producer)
  • 1964 Tony Award for Best Direction (Musical) - She Loves Me
  • 1964 Tony Award for Best Musical - She Loves Me (producer)
  • 1964 Tony Award for Best Producer (Musical) - She Loves Me
  • 1969 Tony Award for Best Direction of a Musical - Zorba
  • 1969 Tony Award for Best Musical - Zorba (producer)
  • 1972 Tony Award for Best Musical - Follies (producer)
  • 1973 Tony Award for Best Direction of a Musical - A Little Night Music
  • 1976 Drama Desk Award Outstanding Director of a Musical - Pacific Overtures
  • 1976 Drama Desk Award Outstanding Musical/Book - Pacific Overtures (producer)
  • 1976 Tony Award for Best Direction of a Musical - Pacific Overtures
  • 1976 Tony Award for Best Musical - Pacific Overtures (producer)
  • 1977 Drama Desk Award Unique Theatrical Experience - Side by Side by Sondheim
  • 1977 Tony Award for Best Musical - Side by Side by Sondheim (producer)
  • 1978 Tony Award for Best Direction of a Musical - On the Twentieth Century
  • 1985 Tony Award for Best Direction of a Musical - Grind
  • 1985 Tony Award for Best Musical - Grind (producer)
  • 1988 Drama Desk Award Outstanding Director of a Musical - Cabaret
  • 1993 Tony Award for Best Direction of a Musical - Kiss of the Spider Woman
  • 1999 Drama Desk Award Outstanding Director of a Musical - Parade
  • 1999 Tony Award for Best Direction of a Musical - Parade
  • 2007 Drama Desk Award Outstanding Director of a Musical - Lovemusik

Bibliography

  • Prince, Harold, Contradictions: Notes on twenty-six years in the theatre, Dodd, Mead ISBN 0396070191 (1974 autobiography)
  • Prince, Harold (1993), Grandchild of Kings, Samuel French, ISBN 057369446X
  • Hirsch, Foster (1989, rev 2005), Harold Prince and the American Musical Theatre, Applause Books, (with Prince providing extensive interviews and the foreword)
  • Ilson, Carol (1989), Harold Prince: From Pajama Game To Phantom of the Opera And Beyond, Cambridge University Press, ISBN 0835719618
  • Ilson, Carol (2000), Harold Prince: A Director's Journey, Limelight Editions, ISBN 0879102969
  • Napoleon, Davi, Chelsea on the Edge: The Adventures of an American Theater, Iowa State University Press, (Includes a preface by Prince and a full chapter about the production of Candide.) .
  • Brunet, Daniel; Angel Esquivel Rios, Miguel; and Geraths, Armin (2006), Creating the "New Musical": Harold Prince in Berlin, Peter Lang Publishing, ISBN 3631558783
  • Thelen, Lawrence (1999), The Show Makers: Great Directors of the American Musical Theatre, Routledge, ISBN 0415923468
  • Guernsey, Otis L. (Editor) (1985), Broadway Song and Story: Playwrights/Lyricists/Composers Discuss Their Hits, Dodd Mead, ISBN 0396087531

Referencs

  1. ^ "Harold Prince Biography". filmreference (2008). Retrieved on 2008-11-25.
  2. ^ a b Music Division (November 2005). "Harold Prince Scores, JBP 06-2". The New York Public Library for the Performing Arts. Retrieved on 2008-11-22.

External links








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