Red herring (narrative)

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In literature, a red herring is a narrative element intended to distract the reader from a more important event in the plot, usually a twist ending.

The term "red herring" originates from the tradition whereby young hunting dogs in Britain were trained to follow a scent with the use of a "red" (salted and smoked) herring (see kipper). This pungent fish would be dragged along a trail until the puppy learned to follow the scent. Later, when the dog was being trained to follow the faint odor of a fox or a badger, the trainer would drag a red herring (which has a much stronger odor) across the animal's trail at right angles. The dog would eventually learn to follow the original scent rather than the stronger scent.

In literature, the most commonplace use of a "red herring" is in mystery fiction. One particular character is described or emphasized in a way that seems to throw suspicion upon that character as the person who committed the crime: later, it develops that someone else is the guilty party.

In film, the "red herring" element is usually conveyed visually. An excellent example of this occurs in the 1947 suspense film The Spiral Staircase. The audience is aware that someone in the house is a serial murderer. Early in the film there is a thunderstorm: the pantry door abruptly opens to reveal the hulking figure of the caretaker Mr. Oates (actor Rhys Williams) framed in a flash of lightning as he bursts into the room. This is the first time the audience has seen this character; his distinctive entrance makes him seem sinister and aberrant, and therefore he is the obvious suspect in the murder mystery. But Oates is not the murderer; therefore this scene establishes him as a red herring.

Red herring (narrative)

See also