
| The Killing | |
|---|---|
theatrical poster |
|
| Directed by | Stanley Kubrick |
| Produced by | James B. Harris |
| Written by | Story: Lionel White Screenplay: Stanley Kubrick Jim Thompson |
| Starring | Sterling Hayden Coleen Gray Vince Edwards Jay C. Flippen Elisha Cook Jr. Marie Windsor |
| Music by | Gerald Fried |
| Cinematography | Lucien Ballard |
| Editing by | Betty Steinberg |
| Distributed by | United Artists |
| Release date(s) | 20 May 1956 |
| Running time | 83 minutes |
| Country | United States |
| Language | English |
| Budget | $320,000 |
The Killing (1956) is the second feature length film noir directed by Stanley Kubrick, written by Kubrick and Jim Thompson, based on the novel Clean Break by Lionel White. The drama features Sterling Hayden, Coleen Gray, Vince Edwards and Elisha Cook Jr..[1]
Contents |
Johnny Clay (Sterling Hayden) is a veteran criminal planning one last heist before settling down and marrying Fay (Colleen Gray). He assembles a team and masterminds a racetrack robbery that, in the end, goes very wrong.
Cast notes:
Film noir critic Eddie Muller wrote, "With The Killing, Stanley Kubrick offered a monument to the classic caper film, and a fresh gust of filmmaking in one package. Who knew when he wrapped it, that it would be the last amusing movie he'd ever make?"[2]
A.H. Weiler, film critic for The New York Times, wrote, "Though The Killing is composed of familiar ingredients and it calls for fuller explanations. it evolves as a fairly diverting melodrama...Aficionados of the sport of kings will discover that Mr. Kubrick's cameras have captured some colorful shots of the ponies at Bay Meadows track. Other observers should find The Killing an engrossing little adventure."[3]
Film critic Mike Emery wrote, "Kubrick's camerawork was well on the way to finding the fluid style of his later work, and the sparse, low-budget circumstances give the film a raw, urgent sort of look. As good as the story and direction are, though, the true strength of The Killing lies in the characters and characterizations."[4]
The staff at Variety magazine liked the acting and wrote, "This story of a $2 million race track holdup and steps leading up to the robbery, occasionally told in a documentary style which at first tends to be somewhat confusing, soon settles into a tense and suspenseful vein which carries through to an unexpected and ironic windup...Hayden socks over a restrained characterization, and Cook is a particular standout. Windsor is particularly good, as she digs the plan out of her husband and reveals it to her boyfriend."[5]
The review aggregator Rotten Tomatoes reported that 96% of critics gave the film a positive review, based on 24 reviews.[6]
In 2001, Empire magazine named it one of the 50 greatest crime films ever.[7]
Nominations
|
||||||||||||||||||||
|
||||||||
|
||||||||
Why are we here?
All text is available under the terms of the GNU Free Documentation License
This page is cache of Wikipedia. History